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Madrigali
Esplanade Recital Studio
Wednesday, 29 March 2006, 08.00PM
| William Hawley |
Six Madrigals (1986)
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| Zoltan Kodaly |
Quattro Madrigali (1932)
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| Morten Lauridsen |
Madrigali: Six "Fire-Songs" on Renaissance Italian Poems (1987)
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Foreword
As Singapore's most-traveled troupe we have, in the last decade, covered more musical terrain than any other known choir at home. From singing with electronics, catching shadows with a rapper, howling to bring back wolves, knocking pebbles together with/in silent recitation, 'worrying' overtones out of our systems, we have done everything possible to challenge the way we (and you) think about choral music.
Tonight - surprise! - the theatrics are purely musical.
Histrionic "fire-chords" and a multitude of modern-day musical devices colour the Renaissance texts. The poems are in archaic Italian, blasts from the past by Tasso, Gero and Arlotti about that ageless subject - love. The new music breathes fresh life into the words: a series of 500-year-old lovelorn sighs borne on sleek steel wings, heat-seeking missiles aimed at our hardened contemporary hearts.
Heart is something we know.
The SYC could not have survived 42 years without this. In the era of sorry-got-no-time(-lah), it has taken singers with big hearts to save a place for futuristic musicians and keep living composers in the black. Originally a combined schools choir, we are now an auditioned hodgepodge of volunteers who feast weekly on the food of our love, the fruit of our labour - music.
So play on, already.

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